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"Processes" Exhibition - BBK Space Illustrious Bar Association of Bizkaia - Bilbao (Spain)

From July 5 to September 28, 2018 - Illustrious Bar Association of Bizkaia - Rampas de Uribitarte, 3 Bilbao

The creative act is life itself. There are times in life when you lose touch with your confidence, your courage, your instinct, your wisdom, your sense of smell, your sense of meaning. You walk around disconnected, without direction. Suddenly you feel a small inner spark, minimal but sufficient. And around the heat of that flame is cooked again life, hope, confidence, knowledge. The broken nets are woven and in that work without haste, with consciousness of being, without wanting to be in any other place or being something else, with the emotion of rediscovering the sensation of creating between your hands, you reconnect with your essential being, with creativity, with what always was and always will be, with that place that contains everything, where everything is.(Pachuca Sotomayor © 2018)

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Conferencia "El proceso creativo" Universidad de Deusto - Bilbao

El pasado 19 de Octubre 2017 con ocasión de la inauguración de la exposición celebrada en el Colegio de Arquitectos de Bizkaia COAVNBIZ y su visita a Bilbao,  la pintora Pachuca Sotomayor se reunió con los alumnos de último curso de la especialidad de Marketing de la Universidad de Deusto para compartir con ellos su conocimiento y experiencia del acto creativo y la activación de la creatividad como medio artístico y de vida. 

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Procesos

Palacio de la Alhóndiga
Plaza de la Alhóndiga, s/n
Segovia (Spain)
From February 16th to March 18th 2018

https://www.youtube.com/watch?v=IbhbXHx7RNI&t=5s

Pachuca Sotomayor conceives creation as a kind of dance in which music pretends to be chromatic and the painting pretends to be sonorous. It is in his large canvases, therefore, a synesthesia, a language between different sensory sensations that makes them full of strength and emotions.

Pachuca Sotomayor dances with his paintings, converses with them, and in this process they are weaving in her hands. Her works are a harmony of terracottas in fluid geometric shapes or a dissonant contrast between azure blues and vermilion reds with tense and meandering lines that never lose their rhythm. For its execution she uses soil, cloth, sand or wood.

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Procesos

COAVNBIZ Colegio Oficial de Arquitectos de Vizcaya - Avda Mazarredo, 69 - Bilbao (Spain)

http://www.coavnbiz.org/evento/sotomayor/

Pachuca’s Processes have continued evolving in these two years, preserving that synesthetic character of the colors, forms, senses, feelings, the delicacy of her informalism and the esthetic of the fate so rhythmic and musical with which all her pictures dance.

The euphony and the gentle convulsion of her work tell in a whisper that dance she practices with her paintings and that seam of which the artist herself speaks, which leads her to a creative journey woven of emotions where she reconnects with herself and with her world:

"And in that work of weaving slowly, with awareness of being, without haste, without judgment, admiring, without wanting to be anywhere else, without wanting to be anything else, excited by what is woven in my hands, I reconnect with my essential being. With what was always and always will be.  With that place that contains everything, where everything is.

And I remember.  And I smile.  And I paint. I am home."

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Procesos

Comisariado: Laura Jimenez

Pachuca Sotomayor se pone las bailarinas de artista y se sube al escenario, a ese lugar de paz y limerencia creativa en el que comienza la danza junto al cuadro. Ambos dirigen. Él le pide color, ella le da una armonía de terracotas en formas geométricas fluidas o un contraste disonante entre azules celestes y rojos bermellones con líneas tensas y serpenteantes pero que nunca pierden el ritmo. Él le pide volumen, más movimiento, ella tira el pincel y le ofrece tierra, tela, arenas, madera, tacto. 

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Reunited

Galería 3K Art

La pintura tiene valores propios y claros para producir emociones y sentimientos sin representar o simbolizar nada, cada espectador puede sentir una impresión distinta incluso a la del pintor

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